wip
Cosplay Chronices: High Queen Margo, The Destroyer // Part V
Sunday, March 1, 2020 • Cosplay, cosplayer, costume, high queen margo, the magicians, wip, work in progress
As you may have noticed in the last post, I hit a bit of a road block with this dress and its faithfulness to the original - what I had thought was a satin side panel, was upon further reflection and rewinding of the episode in question - A FULLY OPEN ON THE SIDES TOP/TUNIC THING. With pants that had two different types of legs and velvet boots. I...I just....I was not prepared for this.
I admit I'm playing catchup on the show, but f*ck me. After watching the scenes here I had a small meltdown and decided that ultimately I just don't like this look. Not only do I have no idea/don't want to make pants with one nylon leg, this is just not my aesthetic. I feel beautiful in long gowns, I do not think I'd feel as beautiful in this kind of tunic thing. So. Game time. I decided to do something in the spirit of this inspiration that would also being a design that I'd feel nice and pretty in while wearing.
First step: satin panel (obviously after a trip to JoAnns where I actually bought two different pieces because I suddenly had decision paralysis).
While wearing the dress I took a pair of small scissors and free handed the cut on the (my) right side. I decided that an organic, free flowing affect with the lace would be the best way to bring the two fabrics together.
After the first rough chop I laid it out on my ironing board for pinning and refining.
Here's the rub - because of the effect I wanted and my little experience hand sewing, each side took 3 HOURS to secure. I was primarily back stitching the whole thing and went along not only the seam of the dress, but out into the lace pieces over the satin panel, since clearly those couldn't move either. The first chunk was a labor of love and self-hatred that I did from bed, the second (a week later) standing over my ironing board and dealing with the back pain. I'm thinking that if 1) you were more experienced 2) you had more space there would obviously be better ways of doing this, but I did what I had to.
After that I used my machine to do quick top stitch hem along the bottom of the satin fabric, but honestly only because when I tried to hand stitch it my thread kept getting knots and finally I gave up.
For the next side, of which I apparently didn't take any pictures? (sorry) , I gave my soul a break with the black nylon and just cut the dress seam to seam. No organic-flowy bullsh*t, but a harsh break to juxtapose against the other side. With that decision made, pinning and sewing the whole panel only ("only") took three hours.
After making the most ridiculous binding tape out of the remaining nylon to finish the hem (we're not discussing it more, it really was the most terrible option for an inexperienced person), the dress is done. SHOCKING. I KNOW. I did some Googling for shoes because 1) I wasn't sold on thigh high boots and 2) I didn't want to spend a lot of money on shoes for a very specific cosplay. But hey - the internet provides and I'm going with these hard-to-walk-and-stand-in-for-long-periods-of-time heels from Macy's:
And you've waited a while, but here's a blurry finished pic!
Don't miss out! You can find the other parts of this series below:
Yes this is a sh*tty low resolution picture of my TV but don't @ me - Netflix was messing refused to play ball.
I admit I'm playing catchup on the show, but f*ck me. After watching the scenes here I had a small meltdown and decided that ultimately I just don't like this look. Not only do I have no idea/don't want to make pants with one nylon leg, this is just not my aesthetic. I feel beautiful in long gowns, I do not think I'd feel as beautiful in this kind of tunic thing. So. Game time. I decided to do something in the spirit of this inspiration that would also being a design that I'd feel nice and pretty in while wearing.
First step: satin panel (obviously after a trip to JoAnns where I actually bought two different pieces because I suddenly had decision paralysis).
WARNING. CRAPPY CELL PHONE PICTURES AHEAD. OFTEN TAKEN IN MY MESSY APARTMENT WITH DIRTY HAIR IN LOW LIGHT. YOU HAVE BEEN WARNED.
While wearing the dress I took a pair of small scissors and free handed the cut on the (my) right side. I decided that an organic, free flowing affect with the lace would be the best way to bring the two fabrics together.
After the first rough chop I laid it out on my ironing board for pinning and refining.
Here's the rub - because of the effect I wanted and my little experience hand sewing, each side took 3 HOURS to secure. I was primarily back stitching the whole thing and went along not only the seam of the dress, but out into the lace pieces over the satin panel, since clearly those couldn't move either. The first chunk was a labor of love and self-hatred that I did from bed, the second (a week later) standing over my ironing board and dealing with the back pain. I'm thinking that if 1) you were more experienced 2) you had more space there would obviously be better ways of doing this, but I did what I had to.
My cat clearly has a death wish.
After that I used my machine to do quick top stitch hem along the bottom of the satin fabric, but honestly only because when I tried to hand stitch it my thread kept getting knots and finally I gave up.
For the next side, of which I apparently didn't take any pictures? (sorry) , I gave my soul a break with the black nylon and just cut the dress seam to seam. No organic-flowy bullsh*t, but a harsh break to juxtapose against the other side. With that decision made, pinning and sewing the whole panel only ("only") took three hours.
Told you - death wish.
Scandalous I-wear-comfy-undies-when-I'm-crafting picture.
After making the most ridiculous binding tape out of the remaining nylon to finish the hem (we're not discussing it more, it really was the most terrible option for an inexperienced person), the dress is done. SHOCKING. I KNOW. I did some Googling for shoes because 1) I wasn't sold on thigh high boots and 2) I didn't want to spend a lot of money on shoes for a very specific cosplay. But hey - the internet provides and I'm going with these hard-to-walk-and-stand-in-for-long-periods-of-time heels from Macy's:
American Rag Estrella Pumps, Size 9
And you've waited a while, but here's a blurry finished pic!
Don't miss out! You can find the other parts of this series below:
Cosplay Chronices: High Queen Margo, The Destroyer // Part IV
Friday, January 17, 2020 • Cosplay, cosplayer, costume, high queen margo, margo, the magicians, wip, work in progress
So what's next after finishing an abnormally large crown? A dress of course!
(And yes, an eye patch, but that'll be later.)
After taking a lot of time in Google examining Margo's outfits, I went with the one that realistically I thought I could pull off best with a combination of craft and shopping:
But even in going this far, I didn't totally decide until even more dress research. My plan from the start was to alter a purchased dress, so if I couldn't find one that fit my needs it was a nonstarter. Which is why while it's boring to say I went through 27 pages just of AliExpress, then went to Google, Poshmark AND Ebay before finding a serious contender, it is exactly what happened. And that contender was the Illusion Yoke Lace Gown by Adrianna Papell.
I found one on Ebay in kinda my size (16) for a well price $84 - good for the budget and more than likely guaranteed enough fabric to be able to play around with if need be. Long sleeves, high necked, all sorts of other details kind of taken care. Plus Adrianna Papell is a brand I know and trust, so I wasn't worried about the quality of the garment. The big questions were the lining and the beading accent along the waist. And thus begins the shitty mirror selfies, so my apologies in advance. I wasn't really thinking about capturing this at blog quality [face palm].
Not bad right? Fits better than I expected, and after getting my more experienced friend to take a look at it, we both agreed removing the lining should be doable. And my friends, it was *doable* but it was certainly not *pleasant*. Because what I found one weekend morning was that the lining seams and dress seams were sewn together, so I couldn't use my seam ripper without resewing the dress as I went. Which to be honest sounded comparable to death and so instead I spent 5+ hours with a tiny pair of scissors meticulously cutting everything out along each and every seam.
The seam ripper did coming in handy when I got to the bodice though, because the beaded accent was attached to a ribbon that was sewed through the dress to the first layer of the bodice lining, so...yeah. I got that off but it was also a hassle. Some lace was cut and kind repaired using navy thread and since it doesn't like ridiculous I'm just calling this whole process a long-winded win.
Now there were some other decisions made in and around this time: first that it wasn't a lace panel on the side but Margo wearing lace tights (purchased), and that the longevity of this costume would be better served by inserting a sheer piece anyway to give the lace something to hold on to. Oh and I bought a bodysuit. It's not nude and as such not 100% screen accurate, but when I tried beige/body toned options they looked like shit with the tights so... it is what it is. And let's not dwell on the fact that I didn't see that additional blue satin panel until just now and it made my soul cry. I'll figure it out or I won't (or Jessica won't) so wish us luck.
MOVING ALONG.
Because the next random, late afternoon weekend decision I made was to not only cut the right sleeve off as per the original, but to also play around with extending the left sleeve by using all the next extra material.
There aren't a lot of in-process photos of this because it was even more made up than everything else I've done.I slid it on the still existing sleeve to get the approximate full length I wanted, cut off the extra, and then slowly (very slowly) but surely used back stitches and slip stitches to attach it. After it was mostly secure I used both types of stitches again to slowly shape the opening (it was a little too suddenly angular - I don't know how to better explain that the slope from arm to wrist to hand was off. Sorry to suck). And this ended up having to be done right side up because when I tried to slim it from the inside everything went wonky FAST. I'm just thankful that 1) most of the messed up-ness from this ridiculous method is on the inside of the arm at the sleeve, and 2) the fabric being lace was very forgiving, so even when I did a final check the morning after in bright sun it didn't actually look laughable.
And that's we are. 50-75% of a dress that I actually think fits and works pretty well. Believe me, I'm just as shocked as anyone.
Don't miss out! You can find the other parts of this series below:
(And yes, an eye patch, but that'll be later.)
After taking a lot of time in Google examining Margo's outfits, I went with the one that realistically I thought I could pull off best with a combination of craft and shopping:
The bane of every cosplayer's existence: reference photos.
But even in going this far, I didn't totally decide until even more dress research. My plan from the start was to alter a purchased dress, so if I couldn't find one that fit my needs it was a nonstarter. Which is why while it's boring to say I went through 27 pages just of AliExpress, then went to Google, Poshmark AND Ebay before finding a serious contender, it is exactly what happened. And that contender was the Illusion Yoke Lace Gown by Adrianna Papell.
I found one on Ebay in kinda my size (16) for a well price $84 - good for the budget and more than likely guaranteed enough fabric to be able to play around with if need be. Long sleeves, high necked, all sorts of other details kind of taken care. Plus Adrianna Papell is a brand I know and trust, so I wasn't worried about the quality of the garment. The big questions were the lining and the beading accent along the waist. And thus begins the shitty mirror selfies, so my apologies in advance. I wasn't really thinking about capturing this at blog quality [face palm].
I don't question how I ended up with a cat that doesn't really bother me while crafting. I just accept and say thank you.
The seam ripper did coming in handy when I got to the bodice though, because the beaded accent was attached to a ribbon that was sewed through the dress to the first layer of the bodice lining, so...yeah. I got that off but it was also a hassle. Some lace was cut and kind repaired using navy thread and since it doesn't like ridiculous I'm just calling this whole process a long-winded win.
Dress post lining and accent removal.
MOVING ALONG.
Because the next random, late afternoon weekend decision I made was to not only cut the right sleeve off as per the original, but to also play around with extending the left sleeve by using all the next extra material.
There aren't a lot of in-process photos of this because it was even more made up than everything else I've done.I slid it on the still existing sleeve to get the approximate full length I wanted, cut off the extra, and then slowly (very slowly) but surely used back stitches and slip stitches to attach it. After it was mostly secure I used both types of stitches again to slowly shape the opening (it was a little too suddenly angular - I don't know how to better explain that the slope from arm to wrist to hand was off. Sorry to suck). And this ended up having to be done right side up because when I tried to slim it from the inside everything went wonky FAST. I'm just thankful that 1) most of the messed up-ness from this ridiculous method is on the inside of the arm at the sleeve, and 2) the fabric being lace was very forgiving, so even when I did a final check the morning after in bright sun it didn't actually look laughable.
And that's we are. 50-75% of a dress that I actually think fits and works pretty well. Believe me, I'm just as shocked as anyone.
Don't miss out! You can find the other parts of this series below:
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